Sleepy hollow part 4 He was

Sleepy hollow part 4

He was also voted most sleepy hollow part 4 junior high athlete in the entire city of San Diego. He initially pursued a football career, but decided otherwise after leaving the University of Louisville as a freshman. Shortly after leaving UL, Kelly moved to Lexington where he began his study of the martial arts under acclaimed instructor of Shorin-Ryu karate, Parker Sheldon. It was that decision that would cement his star status. In 1971, Kelly proved he was an excellent fighter, by capturing the 1971 International Middleweight Karate Championship. Realizing that he had a potential career in the martial arts, Kelly opened a karate studio. champion fighter gave him the opportunity to appear in a movie called Melinda 1 The part wasnt big, but it led to other offers. Six months later, Kelly was flown out to Hong Kong to showcase some of his fighting techniques to Warner Brothers. Kelly had no idea hed be getting a part in one of the biggest martial arts films in cinematic history. Kelly was asked to play Williams, one of the sleepy hollow part 4 guests to the deadly Hans Island in Enter The Dragon 1973 co-starring Bruce Lee. It was that role that brought him star status. Enter the Dragons huge popularity, largely due to Bruce Lee, showed that fans were eager to have a new kung fu hero. Kelly quickly cropped up in several more martial arts influenced blaxploitation films. In 1974, Ji m Kelly made his first appearance in the lead role in the film Black Belt Jones with Robert Clouse, the director of Enter the Dragon, with its interesting fight finale in a soap filled car wash. In 1977, he starred in The Black Samurai, directed by genre veteran Al Adamson. He went on to make several other films which include: Three the Hard Way 1974, The Golden Needles 1974, Hot Potato 1976, The Tattoo Connection 1978 and Death Dimension 1 Kelly retired after a string of low budget movies. His last appearance was in a movie called One Down, Two To Go 1 an actor, Kelly retired from the screen to pursue a successful career in professional tennis. A talented athlete, he won ranked titles both in tennis and karate. Jim Kelly still gets offered roles in movies, but simply says that he just doesnt dig the scripts. He wouldnt mind acting again, but he wants the roles to be respectable. Hes also very proud of the sleepy hollow part 4 he did, and doesnt want to spoil that image. So wheres Jim Kelly now? Hes almost 63 years old, and can still be considered one of the best ass kickers in the history of cinema. Hes made various appearances and done interviews. He is currently studying Brazilian grappling and is developing his own style of hybrid fighting. Recently, he appeared in a Nike commercial in Japan with LeBron James. Published: January 29, 1974 The Hollywood production team of Fred Weintraub and Paul Heller, who, with Robert Clouse, the director, gave us that Hong Kong-based kung fu bash, Enter the Dragon, last summer, now have come up with the Hollywood-made Black Belt Jones to prove that travel isnt broadening. This latest of the slew of kick-and-slash melodramas, which is playing at the Cinerama and 86th St. Twin 2 Theaters, is as basically silly as many of the previous, similarly action-packed adventures it imitates and is as obvious as a karate chop. A minor change in the norm should be noted, however. In this case, Black Belt Jones, played by the young, handsome, black, muscular martial arts devotee, Jim Kelly, one of the heroes of Enter the Dragon, is ably assisted by Gloria Hendry, a photogenic soul sister who is just as roughly efficient as her tough, stoic partner in dispatching squads of white or black bad guys. What theyre fighting about is not really earthshaking except to indicate that Mafia-like citizens, with the aid of black hoods they have strong-armed, are trying to take over a karate school building owned by Scatman Crothers, our heros beloved mentor, and our heroines father, in order to make a big realty killing. Of course, the fearless team, assisted by the schools students and, unexpectedly, a covey of pretty trampoline experts, take the opposition in stride and also manage to make it romantically. But the succession of clashes and explicit street language tend to become repetitious and as unwittingly comic as the casts largely mechanical performances.